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Real Madrid went 2–0 up within half an hour. The third goal brought with it a sending off for Barcelona's Benito García after he made what Calvet claimed was a "completely normal tackle". Madrid's José Llopis Corona recalled: "At which point, they got a bit demoralized," while Ángel Mur countered, "at which point, we thought: 'go on then ...
Mariah Carey (/ m ə ˈ r aɪ ə /; [1]: 0:01 born March 27, 1969) [a] is an American singer-songwriter, record producer, and actress. An influential figure in music, she is known for her five-octave vocal range, melismatic singing style and signature use of the whistle register.
7/10 [12] In Rolling Stone , Anthony DeCurtis said that Natalie Merchant's lyrics reflect a "struggle between fervent hope and a kind of wide-eyed despair" and give Our Time in Eden "a provocative, unnerving power", and "the sonic allure of the Maniacs' music and Merchant's voice is a seduction into songs that are charged, complex and troubling."
"Happy Hour" is a 1986 single by British indie rock band The Housemartins. [1] It was the third single from the album London 0 Hull 4 and reached number three in the UK Singles Chart. [ 2 ] [ 3 ] Vocalist Paul Heaton had been working on the lyrics for some time, with the song originally being called "French England". [ 4 ]
10,000 Days is the fourth studio album by the American rock band Tool.The album was released by Tool Dissectional and Volcano Entertainment on April 28, 2006 in parts of Europe, April 29, 2006 in Australia, May 1, 2006 in the United Kingdom, and on May 2, 2006 in North America.
John Towner Williams (born February 8, 1932) [1] [2] [3] is an American composer and conductor. In a career that has spanned seven decades, he has composed some of the most popular, recognizable, and critically acclaimed film scores in cinema history.
Ronaldo Luís Nazário de Lima (Brazilian Portuguese: [ʁoˈnawdu ˈlwiz nɐˈzaɾju dʒi ˈlimɐ]; born 18 September 1976), [2] mononymously known as Ronaldo, is a Brazilian former professional footballer who played as a striker.
This means that there is no longer any a priori reason to believe that Exodus 20:2–17 and Exodus 34:10–28 were composed during different stages of Israelite history. According to John Bright, there was an important distinction between the Decalogue and the "book of the covenant" (Exodus 21–23 and 34:10–24).