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I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
The tune and lyrics were collected and published in Carl Sandburg's 1927 American Songbag. [9] An important recording in this song's history was the 1927 Columbia Records master (15206-D) performed by Hugh Cross and Riley Puckett under the actual title of "Red River Valley". This version was the very first commercially available recording of ...
Sh-Boom. " Sh-Boom " (" Life Could Be a Dream ") is an early doo-wop song by the R&B vocal group The Chords. It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of The Chords, and published in 1954. It is sometimes considered the first doo-wop or rock 'n' roll record to reach the top ten on ...
Hallelujah (Leonard Cohen song) " Hallelujah " is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, [ 1 ] the song found greater popular acclaim through a new version recorded by John Cale in 1991. Cale's version inspired a 1994 recording by Jeff Buckley ...
Thurland Chattaway. "Red Wing" is a popular song written in 1907 with music by F.A Mills and lyrics by Thurland Chattaway. Mills adapted the music of the verse from Robert Schumann 's piano composition "The Happy Farmer, Returning From Work" from his 1848 Album for the Young, Opus 68. The song tells of a young Indian girl's loss of her ...
Creep (Radiohead song) " Creep " is the debut single by the English rock band Radiohead, released on 21 September 1992 by EMI. It was included as the second track of Radiohead's debut album, Pablo Honey (1993). It features "blasts" of guitar noise by Jonny Greenwood and lyrics describing an obsessive unrequited attraction.
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