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Wrong Place, Wrong Time. " Wrong Place, Wrong Time " is a song written by Scott Miller and Jimmy Alan Stewart, and recorded by American country music artist Mark Chesnutt. It was released in May 1996 as the third single from the album Wings. The song reached #37 on the Billboard Hot Country Singles & Tracks chart.
Right Place, Wrong Time (song) " Right Place, Wrong Time " is a song by American musician Dr. John. It was the first single from his sixth album, In the Right Place, and became his biggest hit single. During the summer of 1973, the song peaked at number nine on the U.S. Billboard Hot 100. It is ranked as the 24th biggest hit of 1973.
Johnny Lee singles chronology. "This Time". (1978) " Lookin' for Love ". (1980) "One in a Million". (1980) " Lookin' for Love " is a song written by Wanda Mallette, Bob Morrison and Patti Ryan, and recorded by American country music singer Johnny Lee. It was released in June 1980 as part of the soundtrack to the film Urban Cowboy, released that ...
Sammi Smith singles chronology. " Help Me Make It Through The Night ". (1970) "I've Got to Have You". (1972) " Help Me Make It Through the Night " is a country ballad written and composed by Kris Kristofferson and released on his 1970 album Kristofferson. It was covered later in 1970 by Sammi Smith, on the album Help Me Make It Through the Night.
In 1974, Millie Jackson released her version of the song which received two Grammy Award nominations. [4] [5] In 1978, Barbara Mandrell's version topped the U.S. country chart, reached number 31 on the Billboard Hot 100 (number 27 Cashbox), and was nominated for Single of the Year at the 1979 CMA (Country Music Association) Awards.
In the Right Place is the sixth album by the New Orleans R&B artist Dr. John. The album was released on Atco Records in 1973, and became the biggest selling album of Dr. John's career. The song "Such a Night" was also performed as part of The Band 's The Last Waltz concert, [ 3 ] made famous by Martin Scorsese 's film.
Emmett's lyrics as they were originally intended reflect the hostile mood of many white Americans in the late 1850s towards increasing abolitionist sentiments in the United States. The song presented the point of view, common to minstrelsy at the time, that slavery in the United States was a positive institution overall.
Mark O'Connor and Jim Ed Norman. In 1993, a sequel to the song, "The Devil Comes Back to Georgia", was released by master violinist Mark O'Connor on his album Heroes. The song featured Daniels on fiddle, with Johnny Cash as the narrator, Marty Stuart as Johnny, and Travis Tritt as the devil. The song peaked at #54 on Billboard's Hot Country ...