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Spinozza played the guitar solo on Dr. John's hit, "Right Place, Wrong Time", played on Paul Simon's albums Paul Simon and There Goes Rhymin' Simon, Don McLean's American Pie, and later made contributions to the soundtracks of the movies Dead Man Walking, Happiness, and Just the Ticket. The first album David produced in its entirety was the ...
Remedies. (Dr. John album) Remedies is the third album released by New Orleans R&B artist Dr. John. The photography was by Stephen C. LaVere, taken in 1969 at the Whisky a Go Go . In a 2010 interview with Uncut, Dr. John explained the "bad trip" environment which led to the epic closing track "Angola Anthem": "My managers put me in a psych ward.
Dr. John Plays Mac Rebennack Vol. 1. (1981) Singles from Tango Palace. "Keep That Music Simple". Released: 1979. Tango Palace is an album by the New Orleans singer and pianist Dr. John. It was his second and last album recorded for jazz label Horizon Records. It also marked the second album on which he collaborated with Doc Pomus on a few songs ...
Professional ratings. Ske-Dat-De-Dat: The Spirit of Satch is a 2014 album and the final studio album released by American musician Dr. John during his lifetime, and his penultimate studio album in total. Produced by Dr. John and Sarah Morrow, it was released in August 2014. It contains songs from the repertoire of Louis Armstrong ("Satch") and ...
The Very Best of Dr. John. (1995) Afterglow is an album by the American musician Dr. John, released in 1995. [2] [3] The majority of the tracks are covers of jazz and blues songs from the 1940s and 1950s; many of the songs were introduced to Dr. John by his parents. [4] [5]
The Brightest Smile in Town. (1983) Such a Night! Live in London. (1984) The Brightest Smile in Town is an album by the American musician Dr. John, released in 1983. [2] [3] It was his second solo piano album. [4] [5] It was reissued in 2006, along with Dr. John Plays Mac Rebennack, Vol. 1 plus bonus tracks. [6]
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Big Chief. " Big Chief " is a song composed by Earl King in the early 1960s. It became a hit in New Orleans for Professor Longhair in 1964, [1] featuring a whistled first chorus in a rollicking blues piano style and subsequent lyrics written in mock-American-Indian pidgin (whistled and sung by King, uncredited).