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Right Place, Wrong Time (song) " Right Place, Wrong Time " is a song by American musician Dr. John. It was the first single from his sixth album, In the Right Place, and became his biggest hit single. During the summer of 1973, the song peaked at number nine on the U.S. Billboard Hot 100. It is ranked as the 24th biggest hit of 1973.
Rush subsequently recorded several studio and live versions of the song, including one released on his Blues Interaction – Live in Japan 1986 album. Recognition and influence [ edit ] In 2010, Otis Rush's "All Your Love (I Miss Loving)" was inducted into the Blues Foundation Hall of Fame, which noted that Rush's song "was the obvious ...
AllMusic. link. Live in Chicago is an album of live recordings by Little Walter and Otis Rush, purportedly recorded at the Chicago Blues Festival in 1967. According to the All Music Guide to the Blues, "These live performances have been circulating around bootleg channels under a plethora of titles for decades." [1] Some of these titles include:
Double Trouble (Otis Rush song) " Double Trouble " is a blues song written and recorded by Chicago blues guitarist Otis Rush in 1958. [1] Since its release as a single in 1959, [2] the song has been recorded by several blues and other artists, including several versions by Eric Clapton. Stevie Ray Vaughan named his band "Double Trouble" after ...
It should only contain pages that are Otis Rush albums or lists of Otis Rush albums, as well as subcategories containing those things (themselves set categories). Topics about Otis Rush albums in general should be placed in relevant topic categories .
Willie Dixon. " I Can't Quit You Baby " is blues song written by Willie Dixon and first recorded by Chicago blues artist Otis Rush in 1956. [1] It is a slow twelve-bar blues ensemble piece, with lyrics about the consequences of an adulterous relationship which is difficult to end. "I Can't Quit You Baby" was Rush's first recording and Cobra ...
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The Pittsburgh Post-Gazette wrote that Taylor "incorporates slash-and-burn guitar work into his blues, soaring out of traditional choruses with scorching solos." The Toronto Star noted that "burners like 'Too Sorry' and 'I Ain't Superstitious' work particularly well in the great thrashing Chicago electric blues tradition, while Taylor's chatty voice works to contrast with all slurring, high ...
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