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An Anthology Vol. II is an album by Duane Allman. It is a compilation of songs on which Allman plays guitar. On some tracks he plays as a session musician on recordings by other artists, including Aretha Franklin, Otis Rush, Ronnie Hawkins, Wilson Pickett, and Boz Scaggs. Other tracks feature Allman as a member of various bands, most famously ...
Producer. Marshall Lawless. Walk on Jindal's Splinters is a live album by Jello Biafra and The Raunch and Soul All-Stars, a group of Southern musicians assembled especially for the occasion by Dash Rip Rock 's Bill Davis and Cowboy Mouth 's Fred LeBlanc. The album title is a play on the Dr. John song "I Walk on Gilded Splinters" meant to insult ...
Professional ratings. Performance Rockin' the Fillmore is the 1971 live double-LP/single-CD by the English blues-rock group Humble Pie, recorded at the Fillmore East in New York City on May 28–29, 1971. It reached #21 on the Billboard 200, #32 in Canada, [5] and entered the UK Top 40.
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3614 Jackson Highway is the sixth album by American singer-actress Cher, released on June 20, 1969, by ATCO. This album was a commercial failure, peaking at 160, although it received praise and positive reviews from the music critics. 3614 Jackson Highway was the address of Muscle Shoals Sound Studios. The album is by and large a covers album.
Professional ratings. In the Right Place is the sixth album by the New Orleans R&B artist Dr. John. The album was released on Atco Records in 1973, and became the biggest selling album of Dr. John's career. The song "Such a Night" was also performed as part of The Band 's The Last Waltz concert, [3] made famous by Martin Scorsese 's film.
B− [2] Ton-Ton Macoute! is the 1970 debut solo album of American blues musician Johnny Jenkins. [1] Jenkins had previously led The Pinetoppers, a band which at one time featured Otis Redding. Jenkins then appeared on two Redding albums, playing guitar, before releasing his solo debut.
Big Chief. " Big Chief " is a song composed by Earl King in the early 1960s. It became a hit in New Orleans for Professor Longhair in 1964, [1] featuring a whistled first chorus in a rollicking blues piano style and subsequent lyrics written in mock-American-Indian pidgin (whistled and sung by King, uncredited).