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Fluxus is a live coding environment for 3D graphics, music and games. [1] It uses the programming language Racket (a dialect of Scheme / Lisp) to work with a games engine with built-in 3D graphics, physics simulation and sound synthesis. All programming is done on-the-fly, where the code editor appears on top of the graphics that the code is ...
It is most prominent as a performing arts form and a creativity technique centred upon the writing of source code and the use of interactive programming in an improvised way. Live coding is often used to create sound and image based digital media, as well as light systems, improvised dance and poetry, [4] [5] though is particularly prevalent in ...
Mieko Shiomi (塩見 允枝子, Shiomi Mieko, born 1938) is a Japanese artist, composer, and performer who played a key role in the development of Fluxus.A co-founder of the seminal postwar Japanese experimental music collective Group Ongaku, she is known for her investigations of the nature and limits of sound, music, and auditory experiences.
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Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. [1] [2] Fluxus is known for experimental contributions to different artistic media and disciplines and for ...
Fluxus. Website. allankaprow .com. Allan Kaprow (August 23, 1927 – April 5, 2006) was an American performance artist, installation artist, painter, and assemblagist . He helped to develop the "Environment" and "Happening" in the late 1950s and 1960s, as well as their theory. His Happenings — some 200 of them — evolved over the years.
Interactive design diagram. Interactive design is a user-oriented field of study that focuses on meaningful communication using media to create products through cyclical and collaborative processes between people and technology. Successful interactive designs have simple, clearly defined goals, a strong purpose and intuitive screen interface.
In the collection of essays Work Ethic edited by Helen Molesworth on art of the 1960s, Make a Salad is described as Knowles's successful translation of 'domestic labor into a performance context' while the score's 'radical brevity suggests that anyone can play the score'. The phrase 'Make a Salad' is also described as being reminiscent of the ...
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