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Although B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well; as a consequence he often assigned it first to beginning piano students, leaving the scale of C major ...
These indicate a chord formed by the notes C–E–G ♯ –B ♭. The three parts of the symbol (C, aug, and 7) refer to the root C, the augmented (fifth) interval from C to G ♯, and the (minor) seventh interval from C to B ♭ . Although they are used occasionally in classical music, typically in an educational setting for harmonic analysis ...
Music video. "Music of My Heart" on YouTube. " Music of My Heart " is a song by Cuban American recording artist Gloria Estefan and American boy band NSYNC. The teen pop song was written by Diane Warren and produced by David Foster, for the Wes Craven -directed movie Music of the Heart (1999). It was released as the first single from the ...
Jazz compositions in B major. Jazz compositions originally or most commonly played in the key of B major.
A chromatic mediant relationship defined conservatively is a relationship between two sections and/or chords whose roots are related by a major third or minor third, and contain one common tone (thereby sharing the same quality, i.e. major or minor ). For example, in the key of C major the diatonic mediant and submediant are E minor and A minor ...
In music theory, Roman numeral analysis is a type of harmonic analysis in which chords are represented by Roman numerals, which encode the chord's degree and harmonic function within a given musical key . Specific notation conventions vary: some theorists use uppercase numerals (e.g. I, IV, V) to represent major chords, and lowercase numerals ...
Then, the B section of this ternary formed (A–B–A) piece begins. The middle section, in the distant key of A ♭ major, is marked sostenuto and legatissimo. Though it begins softly, it can also be described as inhibited, showing unease, triggered by the play of syncopation of the left-hand chords. Chopin ends this section with harmonic ...
The first "A" theme starts in the tonic key, and the "B" theme transitions into the dominant key with big grand arpeggios in the right hand using a good portion of the keyboard. After the arpeggios, both hands play around with the "A" theme's melody before arriving back to the tonic key at the second "A" theme (with very little deviation from ...