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The sessions for the Gris-Gris album took place in the Gold Star Studios in Los Angeles, California. The album aimed to combine various strains of New Orleans music. It centered on a character named "Dr. John" who was based on a 19th-century healer called Dr. John Montaine, who claimed to be an African potentate. [4]
Remedies is the third album released by New Orleans R&B artist Dr. John.The photography was by Stephen C. LaVere, taken in 1969 at the Whisky a Go Go.. In a 2010 interview with Uncut, Dr. John explained the "bad trip" environment which led to the epic closing track "Angola Anthem":
Right Place, Wrong Time is a 1976 album by blues singer and guitarist Otis Rush. Although regarded as one of his finest recordings, the album was not issued until five years after it was recorded. Although regarded as one of his finest recordings, the album was not issued until five years after it was recorded.
Dr. John: Dr. John chronology; Goin' Back to New Orleans (1992) Television (1994) Afterglow (1995) Television is a studio album by New Orleans R&B artist Dr. John. [1]
The "Iko Iko" story is told by Dr. John in the liner notes to his 1972 album, Dr. John's Gumbo, in which he covers New Orleans R&B classics: The song was written and recorded back in the early 1950s by a New Orleans singer named James Crawford who worked under the name of Sugar Boy & the Cane Cutters.
Right Place, Wrong Time may refer to: "Right Place, Wrong Time" (song), a song by Dr. John; Right Place, Wrong Time (album), an album by Otis Rush
Babylon is the second album by New Orleans R&B artist Dr. John.In his autobiography, Under A Hoodoo Moon, Dr. John describes the origins of the album in detail: "Our second album was cut in late 1968—the year of the Tet offensive, and of the assassinations of Bobby Kennedy and Martin Luther King Jr.
"Big Chief" is a song composed by Earl King in the early 1960s. It became a hit in New Orleans for Professor Longhair in 1964, [1] featuring a whistled first chorus in a rollicking blues piano style and subsequent lyrics written in mock-American-Indian pidgin (whistled and sung by King, uncredited).