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Love is a 2015 erotic drama art film [5] written and directed by Gaspar Noé. [6] The film marked Noé's fourth directorial venture after a gap of six years. It had its premiere at the 2015 Cannes Film Festival and was released in 3D.
The Cottage received positive reviews from critics, [1] [2] garnering a 71% rating on Rotten Tomatoes. Variety, ReelFilm, and MovieFone gave mostly positive reviews, with MovieFone criticizing the film's pacing issues but praising the film's acting and banter.
Sessions Production Payroll / Mountain Movies: William Wages (director/screenplay); Phillip Rob Bellury (screenplay); Rob Mayes, Beau Bridges, Sam Hennings, T.J. Power, Lee Brice, Pam Tillis [70] M A R C H 1: Dune: Part Two: Warner Bros. Pictures / Legendary Pictures
Longlegs is a 2024 American horror-thriller film written and directed by Osgood Perkins, and starring Maika Monroe, Nicolas Cage, Blair Underwood, and Alicia Witt.Set in the 1990s, it follows an FBI agent tasked with tracking down an occultist serial killer responsible for murdering multiple families throughout the state of Oregon, without having been physically present in the crimes.
Maharaja (transl. The Great King) [b] is a 2024 Indian Tamil-language action thriller film [7] directed by Nithilan Swaminathan, who co-wrote the script with Raam Murali.It is jointly produced by The Route, Think Studios, and Passion Studios.
Annihilation is a 2018 science fiction horror thriller film written and directed by Alex Garland, loosely based on the 2014 novel of the same name by Jeff VanderMeer.It stars Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny, and Oscar Isaac.
This page was last edited on 25 September 2024, at 06:48 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike License 4.0; additional terms may apply.
It was shot on a low budget in West London in June and July 2006 and was picked up by Buena Vista International for wide national release. "I Want Candy" is also the title of a song written and originally recorded by The Strangeloves in 1965, and covered by Melanie C for the film.
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