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John Shanks "American Reckoning" 2020: John Shanks, Jon Bon Jovi "Another Reason to Believe" 100,000,000 Bon Jovi Fans Can't Be Wrong: Jon Bon Jovi, Richie Sambora, Luke Ebbin "Any Other Day" Lost Highway: Dann Huff "Army of One" What About Now: John Shanks "A Teardrop to the Sea" Burning Bridges: John Shanks "Backdoor to Heaven" New Jersey: Demo.
Tango Palace is an album by the New Orleans singer and pianist Dr. John. It was his second and last album recorded for jazz label Horizon Records. It also marked the second album on which he collaborated with Doc Pomus on a few songs. [1]
In the late 70s Clark styled himself as a "punk poet" [8] and in 1979 had his only UK top 40 hit with "Gimmix!(Play Loud)". [1] [9] He toured with Linton Kwesi Johnson, and performed on the same bill as bands such as the Sex Pistols, the Fall, Joy Division, Buzzcocks, Siouxsie and the Banshees, Elvis Costello, Rockpile and New Order (including at their May 1984 Music for Miners benefit concert ...
Robert John (born Robert John Pedrick, Jr., January 3, 1946) [1] is an American singer perhaps best known for his 1979 hit single, "Sad Eyes", which reached number 1 on the US Billboard Hot 100. Biography
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England Dan & John Ford Coley were an American soft rock duo composed of Danny Wayland "England Dan" Seals and John Edward "John Ford" Coley, active throughout the 1970s. Native Texans , they are best known for their 1976 single " I'd Really Love to See You Tonight ", a No. 2 hit on the Billboard Hot 100 [ 1 ] and a No. 1 Adult Contemporary hit.
The sessions for the Gris-Gris album took place in the Gold Star Studios in Los Angeles, California. The album aimed to combine various strains of New Orleans music. It centered on a character named "Dr. John" who was based on a 19th-century healer called Dr. John Montaine, who claimed to be an African potentate. [4]
The Globe and Mail wrote that Dr. John's "honky-tonk piano sounds especially fine and strange against the lushness of strings - the title song virtually drips with sweet decadence." [7] Entertainment Weekly wrote that the album "established Dr. John as a skilled songwriter."