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John Ruskin (8 February 1819 – 20 January 1900) was an English writer, philosopher, art historian, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. Ruskin was heavily engaged by the work of Viollet-le-Duc which he ...
Ruskin was one of the first critics to employ photography to aid the accuracy of his illustrations. The Seven Lamps of Architecture is an extended essay, first published in May 1849 and written by the English art critic and theorist John Ruskin. The 'lamps' of the title are Ruskin's principles of architecture, which he later enlarged upon in ...
Ashmolean Museum, Oxford. John Ruskin is a portrait of the leading Victorian art critic John Ruskin (1819–1900). [1][2][3] It was painted by the Pre-Raphaelite artist John Everett Millais (1829–1896) during 1853–54. John Ruskin was an early advocate of the Pre-Raphaelite group of artists and part of their success was due to his efforts.
Modern Painters. Modern Painters (1843–1860) is a five-volume work by the Victorian art critic John Ruskin, begun when he was 24 years old based on material collected in Switzerland in 1842. [1] Ruskin argues that recent painters emerging from the tradition of the picturesque are superior in the art of landscape to the old masters.
The Stones of Venice is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin, first published from 1851 to 1853. The Stones of Venice examines Venetian architecture in detail, describing for example over eighty churches. Ruskin discusses architecture of Venice's Byzantine, Gothic, and Renaissance periods ...
Subscribers sent protest letters, but Ruskin countered the attack and published the four articles in a book in May 1862. One of the few that received the book positively was Thomas Carlyle, whom Ruskin said had "led the way" for Unto This Last with his critique of laissez-faire political economy as the "Dismal Science". [5] Carlyle wrote to Ruskin:
The Ruskin Monument is a memorial to John Ruskin located on the edge of Derwentwater in the English Lakes at Friars' Crag, Keswick, Cumbria. It was erected on 6 October 1900, shortly after his death, largely through the efforts of Hardwicke Rawnsley. [2] [3] The monument consists of a monolithic block of Borrowdale stone.
The Nature of Gothic by John Ruskin, printed by William Morris at the Kelmscott Press in 1892 in his Golden Type inspired by the 15th-century printer Nicolas Jenson. This chapter from The Stones of Venice was a sort of manifesto for the Arts and Crafts movement.