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Not Me, Not I. " Not Me, Not I " is a song written by Delta Goodrem, Kara DioGuardi, Gary Barlow, Eliot Kennedy, and Jarrad Rogers, produced by Barlow and Kennedy for Goodrem's first studio album, Innocent Eyes (2003). It was released as the album's fourth single in Australia on 15 September 2003.
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music ...
F–C7–F, F–F ♯ 7–F, B–F ♯ 7–B, then B–C7–B. In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions.
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
In 1969, Ten Years After included some lyrics from "Baby, Please Don't Go" during their performance of "I'm Going Home" at the Woodstock festival in Bethel, New York. Alvin Lee 's 10-minute guitar workout was a highlight of the event's 1970 documentary film , [62] which "would cement their reputation for decades to come".
A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord's root. When not otherwise specified, a "seventh chord" usually means a dominant seventh chord: a major triad together with a minor seventh. However, a variety of sevenths may be added to a variety of triads, resulting in many different ...
Although B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well; as a consequence he often assigned it first to beginning piano students, leaving the scale of C major ...
Neapolitan chord. In Classical music theory, a Neapolitan chord (or simply a " Neapolitan ") is a major chord built on the lowered ( flatted) second ( supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, [1] since in minor scales the chord is built on the notes of the corresponding Phrygian mode .
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