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Right Place, Wrong Time is a 1976 album by blues singer and guitarist Otis Rush. Although regarded as one of his finest recordings, the album was not issued until five years after it was recorded. Although regarded as one of his finest recordings, the album was not issued until five years after it was recorded.
Learn about Otis Rush, a left-handed blues musician who played with a distinctive sound and style. He recorded for several labels, including Cobra, Chess, Vanguard and Delmark, and won a Grammy Award in 1999.
The New York Times called the album "excellent," writing that "Rush is one of the finest living exponents of Chicago blues." [18] Rolling Stone opined that, "while Ain't Enough Comin' In would need a bit more frenzy on the frets to be the ultimate Otis Rush album, it's one of the best blues discs of the decade."
Live in Chicago is an album of live recordings by Little Walter and Otis Rush, purportedly recorded at the Chicago Blues Festival in 1967.According to the All Music Guide to the Blues, "These live performances have been circulating around bootleg channels under a plethora of titles for decades."
In a review for AllMusic, Rev. Keith A. Gordon gave the album 2 1/2 out of five stars and considered Rush's compositions "Tops", "All Your Love" and "Double Trouble" as the album's highlights. [1] However, he concluded, "The inconsistency of Rush's performance and the mediocre skills of the backing band make Live in Japan 1986 a mixed bag ...
Produced by Sam Charters, the majority of the album was recorded in Stockholm in 1977 and was remixed for its 1991 release to highlight Rush's vocals and guitar and Lucky Peterson's keyboard additions. Rush was allegedly displeased with the changes made by Alligator Records, and blues periodicals condemned the remixing.
Right place, right person ... wrong time? "The Seven Year Slip" by Ashley Poston, out June 27, is a romantic comedy about two people who meet thanks to a trick in the time-space continuum.
A 1973 hit single by Dr. John, inspired by contributions from Bob Dylan, Bette Midler and Doug Sahm. The song title also refers to a slang expression for fellatio and has been used in various media and cover versions.
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