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He began playing the piano in school and by the early 1930s worked with Lucky Millinder, Tiny Bradshaw and later the Mills Blue Rhythm Band. In 1938, he joined John Kirby's sextet, but was drafted in 1942. After the war, he worked with Kirby's band briefly and also worked with Sy Oliver.
Blues standards come from different eras and styles, such as ragtime - vaudeville, Delta and other early acoustic styles, and urban blues from Chicago and the West Coast. [3] Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted:
Art Tatum. Arthur Tatum Jr. ( / ˈteɪtəm /, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest ever. [1] [2] From early in his career, fellow musicians acclaimed Tatum's technical ability as extraordinary. Tatum also extended jazz piano's vocabulary and boundaries far beyond his ...
Dave Alexander (blues musician) Gregg Allman. John Altenburgh. Joshua Altheimer. Abie Ames. Albert Ammons. Archibald (musician) Lovie Austin. Charles Avery (pianist)
Albert Clifton Ammons (March 1, 1907 – December 2, 1949) [1] was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s. [2]
It was covered by the band Nine Days for the soundtrack album to the film The New Guy, and by the band Tesla for their 2011 acoustic album Twisted Wires & the Acoustic Sessions . "I Love You" was also covered by the band the H Factor, and was released as a single, from their 1989 sole eponymous album. Two members of the H Factor, Pete Haycock ...
June 13, 1942 (age 81) West Byfleet, Surrey, England. Genres. Blues. Occupation (s) Pianist. Robert 'Bob' Hall (born 13 June 1942 in West Byfleet, Surrey, England), is an English boogie-woogie pianist. A long-time collaborator of Alexis Korner, he also performed regularly with bottleneck bluesman Dave Kelly and his sister, Jo Ann Kelly .
Freddie Freeloader. " Freddie Freeloader " is a composition by Miles Davis and is the second track on his 1959 album Kind of Blue. The piece takes the form of a twelve-bar blues in B ♭, but the chord over the final two bars of each chorus is an A ♭ 7, not the traditional B ♭ 7 followed by either F7 for a turnaround or some variation of B ...
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