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Fanny Talbot (née) Browne (1824–1917) was a landowner and philanthropist, and a friend and correspondent of the influential art critic John Ruskin. [1] She is noted for donating the first property—4.5 acres (1.8 ha) of land known as Cliff of Light (Dinas Oleu in Welsh), at Barmouth, Gwynedd—to the National Trust.
Sarvōdaya (Hindi: सर्वोदय sarv-"all", uday "rising") is a Sanskrit term which generally means "universal uplift" or "progress of all". The term was used by Mahatma Gandhi as the title of his 1908 translation of John Ruskin's critique of political economy, Unto This Last, and Gandhi came to use the term for the ideal of his own political philosophy. [1]
The Ruskin Colony was founded by Julius Augustus Wayland (1854-1912), a newspaper editor and socialist from Indiana.The roots of the Ruskin project can be found in the movement within American socialism at the time, towards the creation of new model colonies which would, in theory, challenge the American industrial system by creating ethical alternatives built in rural settings.
John Ruskin, who coined the term Illth in Unto This Last. In Ruskin's view: Wealth, therefore, is "The possession of the valuable by the valiant"; and in considering it as a power existing in a nation, the two elements, the value of the thing, and the valour of its possessor, must be estimated together.
Brantwood. The photo is taken from Lectures on Landscape, by John Ruskin, and dates to circa 1871. Brantwood is a historic house museum in Cumbria, England, overlooking Coniston Water.
John Ruskin found Emerson's letters "infinitely sweet and wise," but he was "vexed . . . and partly angered" by Carlyle's, with their "perpetual 'me miserum'." George Edward Woodberry in The Atlantic Monthly found fault with Emerson: "It is pitiful to read Carlyle's appeals against his friend's silence".
The final design concept was based on John Ruskin's social ideal that human happiness requires the mix of the head, heart and hand. Mural imagery includes references to historic Ruskin, the agricultural and environmentally sensitive setting across the bay from urban centers, development and movement to future possibility. [17]
Partly funded by Ruskin, Brett made the trip to paint the location, exhibiting it in 1859, again to high praise from Ruskin, who bought the painting. Other critics were less effusive, one describing it as a "gravestone for post-Ruskinism". [3] Brett continued to paint carefully detailed landscape views, staying in Italy on many occasions in the ...
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