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Art Tatum. Arthur Tatum Jr. ( / ˈteɪtəm /, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest ever. [1] [2] From early in his career, fellow musicians acclaimed Tatum's technical ability as extraordinary. Tatum also extended jazz piano's vocabulary and boundaries far beyond his ...
The ragtime progression [3] is a chord progression characterized by a chain of secondary dominants following the circle of fifths, named for its popularity in the ragtime genre, despite being much older. [4] Also typical of parlour music, its use originated in classical music and later spread to American folk music. [5]
Microtone (music) Microtonal or microtonality is the use in music of microtones— intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
Albert Clifton Ammons (March 1, 1907 – December 2, 1949) [1] was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s. [2]
Joe Willie " Pinetop " Perkins (July 7, 1913 – March 21, 2011) was an American blues pianist. He played with some of the most influential blues and rock-and-roll performers of his time and received numerous honors, including a Grammy Lifetime Achievement Award and induction into the Blues Hall of Fame .
Freddie Freeloader. " Freddie Freeloader " is a composition by Miles Davis and is the second track on his 1959 album Kind of Blue. The piece takes the form of a twelve-bar blues in B ♭, but the chord over the final two bars of each chorus is an A ♭ 7, not the traditional B ♭ 7 followed by either F7 for a turnaround or some variation of B ...
Blues standards come from different eras and styles, such as ragtime - vaudeville, Delta and other early acoustic styles, and urban blues from Chicago and the West Coast. [3] Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted:
Dave Alexander (blues musician) Gregg Allman. John Altenburgh. Joshua Altheimer. Abie Ames. Albert Ammons. Archibald (musician) Lovie Austin. Charles Avery (pianist)
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