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Right Place, Wrong Time (song) " Right Place, Wrong Time " is a song by American musician Dr. John. It was the first single from his sixth album, In the Right Place, and became his biggest hit single. During the summer of 1973, the song peaked at number nine on the U.S. Billboard Hot 100. It is ranked as the 24th biggest hit of 1973.
In the Right Place is the sixth album by the New Orleans R&B artist Dr. John. The album was released on Atco Records in 1973, and became the biggest selling album of Dr. John's career. The song "Such a Night" was also performed as part of The Band 's The Last Waltz concert, [3] made famous by Martin Scorsese 's film. [4]
In the face. The man gave a cry, clutching his nose, as I pushed myself to my feet, standing on the couch, my aunt’s decorative tasseled pil- low of Jeff Goldblum’s face raised in defense. The ...
Politeness theory, proposed by Penelope Brown and Stephen Levinson, centers on the notion of politeness, construed as efforts to redress the affronts to a person's self-esteems or face (as in "save face" or "lose face") in social interactions.
Audio sample. file. help. " Everything in Its Right Place " is a song by the English rock band Radiohead, released on their fourth album, Kid A (2000). It features synthesiser and digitally manipulated vocals. The lyrics were inspired by the stress felt by the singer, Thom Yorke, while promoting Radiohead's album OK Computer (1997).
Right Place, Wrong Time may refer to: "Right Place, Wrong Time" (song), a song by Dr. John Right Place, Wrong Time (album), an album by Otis Rush "Right Place, Wrong Time", a song by Avant from Director
Spinozza played the guitar solo on Dr. John's hit, "Right Place, Wrong Time", played on Paul Simon's albums Paul Simon and There Goes Rhymin' Simon, Don McLean's American Pie, and later made contributions to the soundtracks of the movies Dead Man Walking, Happiness, and Just the Ticket. The first album David produced in its entirety was the ...
Cole Porter. " It's All Right with Me " is a popular song written by Cole Porter, for his 1953 musical Can-Can, where it was introduced by Peter Cookson as the character Judge Aristide Forestier. [1] The song is also used in the Cole Porter musical High Society. In the original 1998 Broadway production it was performed by the character Tracy ...