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Dr. John. Malcolm John Rebennack, Jr. (November 20, 1941 – June 6, 2019), better known by his stage name Dr. John, was an American singer and songwriter. His music combined New Orleans blues, jazz, R&B, soul and funk. [1] Active as a session musician from the late 1950s until his death, he gained a following in the late 1960s after the ...
Professional ratings. Goin' Back to New Orleans is an album by New Orleans singer and pianist Dr. John. It was released by Warner Bros. Records on June 12, 1992. The album won a Grammy award for Best Traditional Blues Album. [4] Musicians and vocalists on the album include the Neville Brothers, Al Hirt, Danny Barker, Alfred "Uganda" Roberts ...
Iko Iko. " Iko Iko " (/ ˈaɪkoʊ ˈaɪkoʊ /) is a much-covered New Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title " Jock-A-Mo ", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it ...
The Brightest Smile in Town is an album by the American musician Dr. John, released in 1983. [ 2 ] [ 3 ] It was his second solo piano album. [ 4 ] [ 5 ] It was reissued in 2006, along with Dr. John Plays Mac Rebennack, Vol. 1 plus bonus tracks.
Gris-Gris. Gris-Gris (stylized as GRIS-gris, / ˈɡriːˌɡriː /, named for a kind of talisman) is the debut album by American musician Dr. John (a.k.a. Mac Rebennack). Produced by Harold Battiste, it was released on Atco Records in 1968. The album introduced Rebennack's Dr. John character, inspired by a reputed 19th century voodoo doctor. [5]
In the Right Place is the sixth album by the New Orleans R&B artist Dr. John. The album was released on Atco Records in 1973, and became the biggest selling album of Dr. John's career. The song "Such a Night" was also performed as part of The Band 's The Last Waltz concert, [3] made famous by Martin Scorsese 's film. [4]
The sessions for the Gris-Gris album took place in the Gold Star Studios in Los Angeles, California. The album aimed to combine various strains of New Orleans music. It centered on a character named "Dr. John" who was based on a 19th-century healer called Dr. John Montaine, who claimed to be an African potentate. [4]
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