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The song has been widely covered as well as multiply recorded by Professor Longhair himself. [6] Professor Longhair: from New Orleans Piano (1972, previously unreleased alternate take recorded in 1953) [14] Dr. John: from Dr. John's Gumbo (1972) Professor Longhair: from Rock 'n' Roll Gumbo (1974). [15]
Doctor John (Korean: 의사요한; RR: Uisayohan) is a 2019 South Korean television series starring Ji Sung, Lee Se-young, Lee Kyu-hyung, and Hwang Hee. It is based on the Japanese novel On Hand of God by Yo Kusakabe [2] and aired on SBS from July 19 to September 7, 2019. [3] A recurring theme throughout the series is the debate over euthanasia ...
Dr. Hook & the Medicine Show (shortened to Dr. Hook in 1975) is an American rock band formed in Union City, New Jersey.The band had commercial success in the 1970s with hit singles "Sylvia's Mother" (1972), "The Cover of 'Rolling Stone'" (1973), "Only Sixteen" (1976), "A Little Bit More" (1976), "Sharing the Night Together" (1978), "When You're in Love with a Beautiful Woman" (1979), and ...
"Big Chief" is a song composed by Earl King in the early 1960s. It became a hit in New Orleans for Professor Longhair in 1964, [1] featuring a whistled first chorus in a rollicking blues piano style and subsequent lyrics written in mock-American-Indian pidgin (whistled and sung by King, uncredited).
In a Sentimental Mood is the twelfth album by New Orleans singer and pianist Dr. John. It spent eleven weeks on the Billboard 200 charts, peaking at No. 142 on July 8, 1989. It spent eleven weeks on the Billboard 200 charts, peaking at No. 142 on July 8, 1989.
The song's composers, John Barry and Don Black, asked British singer Matt Monro, who was managed by Black at the time, to record the song for the film's soundtrack. The producers of the film considered the song uncommercial, however, and deleted it from the print shown at its Royal Command premiere in London. When Monro, who attended the event ...
Critical reception to the soundtrack was mixed. Film critic A. O. Scott of The New York Times said that the film's silliness is "loud and slightly hysterical, as if young viewers could be entertained only by a ceaseless barrage of sensory stimulus and pop-culture attitude, or instructed by songs that make the collected works of Up With People sound like Metallica". [4]
John Barry, who would later go on to compose the music for eleven Bond films, arranged the theme, but was uncredited – except for the credit of his orchestra playing the final piece. John Barry claimed he, not Norman, originated the theme. This argument has been the subject of two court cases, the most recent in 2001. [7]
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