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" Right Place, Wrong Time " is a song by American musician Dr. John. It was the first single from his sixth album, In the Right Place, and became his biggest hit single.
The song "Right Place, Wrong Time" became the biggest hit from the LP, reaching the Top 10 in both the U.S. [5] and Canada. The album itself was Dr. John's highest charting album on the Billboard 200, spending 33 weeks on the chart and peaking at #24 on June 23, 1973. [6]
Murphy's law. Murphy's law [a] is an adage or epigram that is typically stated as: "Anything that can go wrong will go wrong." In some formulations, it is extended to "Anything that can go wrong will go wrong, and at the worst possible time." Though similar statements and concepts have been made over the course of history, the law itself was ...
Right place, right person ... wrong time? " The Seven Year Slip" by Ashley Poston, out June 27, is a romantic comedy about two people who meet thanks to a trick in the time-space continuum.
Duke Elegant is a 1999 studio album by New Orleans keyboard player and vocalist Dr. John. The album was produced by the artist under his real name, Mac Rebennack, and is a collection of songs written or performed by Duke Ellington. It features musical support from "The Lower 9-11" (David Barard, [1] Bobby Broom, and Herman "Roscoe" Ernest III ...
Yorke wrote "Everything in Its Right Place" on piano. Radiohead worked on it in a conventional band arrangement before transferring it to synthesiser, and described it as a breakthrough in the album recording. Though it alienated some listeners expecting rock music, "Everything in Its Right Place" was named one of the best songs of the decade by several publications.
Blackface is the practice of performers, typically non- black performers, using burnt cork or theatrical makeup to portray a caricature of black people on stage or in entertainment. In the United States, the practice became a popular entertainment during the 19th century into the 20th.
It's All Right with Me. " It's All Right with Me " is a popular song written by Cole Porter, for his 1953 musical Can-Can, where it was introduced by Peter Cookson as the character Judge Aristide Forestier. [1] The song is also used in the Cole Porter musical High Society. In the original 1998 Broadway production it was performed by the ...